Natalie Portman

  1. Pablo Larraín, Jackie: She was an incredibly mysterious person, and I think Natalie Portman has that in her eyes. That’s why I wanted so many close-ups

    Pablo Larraín, Jackie: She was an incredibly mysterious person, and I think Natalie Portman has that in her eyes. That’s why I wanted so many close-ups

  2. Pablo Larraín: If there’s no perversion, there’s no beauty | Natalie Portman: A great director always has a little bit of perversion in the way that they see things. I don't mean in a sexual way. He always took us into unexpected directions

    Pablo Larraín: If there’s no perversion, there’s no beauty | Natalie Portman: A great director always has a little bit of perversion in the way that they see things. I don't mean in a sexual way. He always took us into unexpected directions

  3. Stacy Martin : J’ai beaucoup appris du comportement des Japonais, de l’efficacité de leur self-control. C’est ainsi qu’ils prennent le pouvoir sur leur interlocuteur. J’ai appris à écouter, à me taire, à observer pour mieux comprendre

    Stacy Martin : J’ai beaucoup appris du comportement des Japonais, de l’efficacité de leur self-control. C’est ainsi qu’ils prennent le pouvoir sur leur interlocuteur. J’ai appris à écouter, à me taire, à observer pour mieux comprendre

  4. Lettre du personnage à l'acteur : Les choses ne sont pas ce que tu penses. Nous avons chacun notre propre atmosphère. Approche-toi de moi | Louis Jouvet

    Lettre du personnage à l'acteur : Les choses ne sont pas ce que tu penses. Nous avons chacun notre propre atmosphère. Approche-toi de moi | Louis Jouvet

  5. Richard Brody, Song to Song: a vast mental space that’s defined by the film’s mosaic-like editing. (No other recent film has as intricate and original an editing scheme.) | Terrence Malick

    Richard Brody, Song to Song: a vast mental space that’s defined by the film’s mosaic-like editing. (No other recent film has as intricate and original an editing scheme.) | Terrence Malick

  6. Natalie Portman: She's in great need, this guy comes along as sort of a savior in a way and then introduces her to a lot of darkness | Terrence Malick

    Natalie Portman: She's in great need, this guy comes along as sort of a savior in a way and then introduces her to a lot of darkness | Terrence Malick

  7. Fading. L'être aimé semble se mouvoir au loin dans le brouillard ; non point mort, mais vivant flou, dans la région des Ombres

    Fading. L'être aimé semble se mouvoir au loin dans le brouillard ; non point mort, mais vivant flou, dans la région des Ombres

  8. Michel Ciment : Le cinéma de Malick est une exaltation de la femme. C'est singulier dans cette génération de cinéastes américains (Scorsese, Cimino), pour lesquels la femme n'est pas au centre de leurs préoccupations

    Michel Ciment : Le cinéma de Malick est une exaltation de la femme. C'est singulier dans cette génération de cinéastes américains (Scorsese, Cimino), pour lesquels la femme n'est pas au centre de leurs préoccupations

  9. Natalie Portman, Time's Up Revolution of Desire: That world we want to build is the opposite of puritanical. The world in which female desire and sexuality could have its greatest expression and fulfillment

    Natalie Portman, Time's Up Revolution of Desire: That world we want to build is the opposite of puritanical. The world in which female desire and sexuality could have its greatest expression and fulfillment

  10. Natalie Portman: a woman who was maybe known first for being a wife, but then became someone who could be recognized on-on their own merits, just... just as Jackie

    Natalie Portman: a woman who was maybe known first for being a wife, but then became someone who could be recognized on-on their own merits, just... just as Jackie
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