Nicole Kidman: Isabel Archer | The Portrait of a Lady | Jane Campion, 1996

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Nicole Kidman: Isabel Archer

Uncle, I...
I ought to let you know that...
Lord Warburton has asked me to marry him.

John Gielgud: Mr. Touchett

Well!
I told you you'd be a success over here.
Americans are highly appreciated...
and you're very beautiful, you know.

Nicole Kidman: Isabel Archer

Oh, yes, of course. I'm lovely.
I...
I know it seems tasteless and ungrateful...
but I can't marry him.

John Gielgud: Mr. Touchett

You didn't find his proposal sufficiently attractive?

Nicole Kidman: Isabel Archer

It was attractive.
There was a moment when I would have given my little finger to say yes,
but...
I think I have to begin by getting a general impression of life.
Do you see?
And there's a light that has to dawn.
I can't explain it, but...
I know it's there.
I'm not afraid, you know.

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Jane Campion, The Portrait of a Lady

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 “I told you just now I’m very fond of knowledge,” Isabel answered.
“Yes, of happy knowledge—of pleasant knowledge. But you haven’t suffered, and you’re not made to suffer. I hope you’ll never see the ghost!”
She had listened to him attentively, with a smile on her lips, but with a certain gravity in her eyes. Charming as he found her, she had struck him as rather presumptuous—indeed it was a part of her charm; and he wondered what she would say. “I’m not afraid, you know,” she said: which seemed quite presumptuous enough.
“You’re not afraid of suffering?”
“Yes, I’m afraid of suffering. But I’m not afraid of ghosts. And I think people suffer too easily,” she added.

Henry James, The Portrait of a Lady, 5

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 Isabel Archer was a young person of many theories; her imagination was remarkably active. It had been her fortune to possess a finer mind than most of the persons among whom her lot was cast; to have a larger perception of surrounding facts and to care for knowledge that was tinged with the unfamiliar. It is true that among her contemporaries she passed for a young woman of extraordinary profundity; for these excellent people never withheld their admiration from a reach of intellect of which they themselves were not conscious, and spoke of Isabel as a prodigy of learning, a creature reported to have read the classic authors—in translations. Her paternal aunt, Mrs. Varian, once spread the rumour that Isabel was writing a book—Mrs. Varian having a reverence for books, and averred that the girl would distinguish herself in print. Mrs. Varian thought highly of literature, for which she entertained that esteem that is connected with a sense of privation. Her own large house, remarkable for its assortment of mosaic tables and decorated ceilings, was unfurnished with a library, and in the way of printed volumes contained nothing but half a dozen novels in paper on a shelf in the apartment of one of the Miss Varians. Practically, Mrs. Varian’s acquaintance with literature was confined to The New York Interviewer; as she very justly said, after you had read the Interviewer you had lost all faith in culture. Her tendency, with this, was rather to keep the Interviewer out of the way of her daughters; she was determined to bring them up properly, and they read nothing at all. Her impression with regard to Isabel’s labours was quite illusory; the girl had never attempted to write a book and had no desire for the laurels of authorship. She had no talent for expression and too little of the consciousness of genius; she only had a general idea that people were right when they treated her as if she were rather superior. Whether or no she were superior, people were right in admiring her if they thought her so; for it seemed to her often that her mind moved more quickly than theirs, and this encouraged an impatience that might easily be confounded with superiority. It may be affirmed without delay that Isabel was probably very liable to the sin of self-esteem; she often surveyed with complacency the field of her own nature; she was in the habit of taking for granted, on scanty evidence, that she was right; she treated herself to occasions of homage. Meanwhile her errors and delusions were frequently such as a biographer interested in preserving the dignity of his subject must shrink from specifying. Her thoughts were a tangle of vague outlines which had never been corrected by the judgement of people speaking with authority. In matters of opinion she had had her own way, and it had led her into a thousand ridiculous zigzags. At moments she discovered she was grotesquely wrong, and then she treated herself to a week of passionate humility. After this she held her head higher than ever again; for it was of no use, she had an unquenchable desire to think well of herself. She had a theory that it was only under this provision life was worth living; that one should be one of the best, should be conscious of a fine organisation (she couldn’t help knowing her organisation was fine), should move in a realm of light, of natural wisdom, of happy impulse, of inspiration gracefully chronic. It was almost as unnecessary to cultivate doubt of one’s self as to cultivate doubt of one’s best friend: one should try to be one’s own best friend and to give one’s self, in this manner, distinguished company. The girl had a certain nobleness of imagination which rendered her a good many services and played her a great many tricks. She spent half her time in thinking of beauty and bravery and magnanimity; she had a fixed determination to regard the world as a place of brightness, of free expansion, of irresistible action: she held it must be detestable to be afraid or ashamed. She had an infinite hope that she should never do anything wrong. She had resented so strongly, after discovering them, her mere errors of feeling (the discovery always made her tremble as if she had escaped from a trap which might have caught her and smothered her) that the chance of inflicting a sensible injury upon another person, presented only as a contingency, caused her at moments to hold her breath. That always struck her as the worst thing that could happen to her. On the whole, reflectively, she was in no uncertainty about the things that were wrong. She had no love of their look, but when she fixed them hard she recognised them. It was wrong to be mean, to be jealous, to be false, to be cruel; she had seen very little of the evil of the world, but she had seen women who lied and who tried to hurt each other. Seeing such things had quickened her high spirit; it seemed indecent not to scorn them. Of course the danger of a high spirit was the danger of inconsistency—the danger of keeping up the flag after the place has surrendered; a sort of behaviour so crooked as to be almost a dishonour to the flag. But Isabel, who knew little of the sorts of artillery to which young women are exposed, flattered herself that such contradictions would never be noted in her own conduct. Her life should always be in harmony with the most pleasing impression she should produce; she would be what she appeared, and she would appear what she was. Sometimes she went so far as to wish that she might find herself some day in a difficult position, so that she should have the pleasure of being as heroic as the occasion demanded. Altogether, with her meagre knowledge, her inflated ideals, her confidence at once innocent and dogmatic, her temper at once exacting and indulgent, her mixture of curiosity and fastidiousness, of vivacity and indifference, her desire to look very well and to be if possible even better, her determination to see, to try, to know, her combination of the delicate, desultory, flame-like spirit and the eager and personal creature of conditions: she would be an easy victim of scientific criticism if she were not intended to awaken on the reader’s part an impulse more tender and more purely expectant.

It was one of her theories that Isabel Archer was very fortunate in being independent, and that she ought to make some very enlightened use of that state. She never called it the state of solitude, much less of singleness; she thought such descriptions weak, and, besides, her sister Lily constantly urged her to come and abide. She had a friend whose acquaintance she had made shortly before her father’s death, who offered so high an example of useful activity that Isabel always thought of her as a model. Henrietta Stackpole had the advantage of an admired ability; she was thoroughly launched in journalism, and her letters to the Interviewer, from Washington, Newport, the White Mountains and other places, were universally quoted. Isabel pronounced them with confidence “ephemeral,” but she esteemed the courage, energy and good-humour of the writer, who, without parents and without property, had adopted three of the children of an infirm and widowed sister and was paying their school-bills out of the proceeds of her literary labour. Henrietta was in the van of progress and had clear-cut views on most subjects; her cherished desire had long been to come to Europe and write a series of letters to the Interviewer from the radical point of view—an enterprise the less difficult as she knew perfectly in advance what her opinions would be and to how many objections most European institutions lay open. When she heard that Isabel was coming she wished to start at once; thinking, naturally, that it would be delightful the two should travel together. She had been obliged, however, to postpone this enterprise. She thought Isabel a glorious creature, and had spoken of her covertly in some of her letters, though she never mentioned the fact to her friend, who would not have taken pleasure in it and was not a regular student of the Interviewer. Henrietta, for Isabel, was chiefly a proof that a woman might suffice to herself and be happy. Her resources were of the obvious kind; but even if one had not the journalistic talent and a genius for guessing, as Henrietta said, what the public was going to want, one was not therefore to conclude that one had no vocation, no beneficent aptitude of any sort, and resign one’s self to being frivolous and hollow. Isabel was stoutly determined not to be hollow. If one should wait with the right patience one would find some happy work to one’s hand. Of course, among her theories, this young lady was not without a collection of views on the subject of marriage. The first on the list was a conviction of the vulgarity of thinking too much of it. From lapsing into eagerness on this point she earnestly prayed she might be delivered; she held that a woman ought to be able to live to herself, in the absence of exceptional flimsiness, and that it was perfectly possible to be happy without the society of a more or less coarse-minded person of another sex. The girl’s prayer was very sufficiently answered; something pure and proud that there was in her—something cold and dry an unappreciated suitor with a taste for analysis might have called it—had hitherto kept her from any great vanity of conjecture on the article of possible husbands. Few of the men she saw seemed worth a ruinous expenditure, and it made her smile to think that one of them should present himself as an incentive to hope and a reward of patience. Deep in her soul—it was the deepest thing there—lay a belief that if a certain light should dawn she could give herself completely; but this image, on the whole, was too formidable to be attractive. Isabel’s thoughts hovered about it, but they seldom rested on it long; after a little it ended in alarms. It often seemed to her that she thought too much about herself; you could have made her colour, any day in the year, by calling her a rank egoist. She was always planning out her development, desiring her perfection, observing her progress. Her nature had, in her conceit, a certain garden-like quality, a suggestion of perfume and murmuring boughs, of shady bowers and lengthening vistas, which made her feel that introspection was, after all, an exercise in the open air, and that a visit to the recesses of one’s spirit was harmless when one returned from it with a lapful of roses. But she was often reminded that there were other gardens in the world than those of her remarkable soul, and that there were moreover a great many places which were not gardens at all—only dusky pestiferous tracts, planted thick with ugliness and misery. In the current of that repaid curiosity on which she had lately been floating, which had conveyed her to this beautiful old England and might carry her much further still, she often checked herself with the thought of the thousands of people who were less happy than herself—a thought which for the moment made her fine, full consciousness appear a kind of immodesty. What should one do with the misery of the world in a scheme of the agreeable for one’s self? It must be confessed that this question never held her long. She was too young, too impatient to live, too unacquainted with pain. She always returned to her theory that a young woman whom after all every one thought clever should begin by getting a general impression of life. This impression was necessary to prevent mistakes, and after it should be secured she might make the unfortunate condition of others a subject of special attention.

Henry James, The Portrait of a Lady, 6

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 She approached her point directly. “I think I ought to let you know that Lord Warburton has asked me to marry him. I suppose I ought to tell my aunt; but it seems best to tell you first.”
The old man expressed no surprise, but thanked her for the confidence she showed him. “Do you mind telling me whether you accepted him?” he then enquired.
“I’ve not answered him definitely yet; I’ve taken a little time to think of it, because that seems more respectful. But I shall not accept him.”
Mr. Touchett made no comment upon this; he had the air of thinking that, whatever interest he might take in the matter from the point of view of sociability, he had no active voice in it. “Well, I told you you’d be a success over here. Americans are highly appreciated.”
“Very highly indeed,” said Isabel. “But at the cost of seeming both tasteless and ungrateful, I don’t think I can marry Lord Warburton.”
“Well,” her uncle went on, “of course an old man can’t judge for a young lady. I’m glad you didn’t ask me before you made up your mind. I suppose I ought to tell you,” he added slowly, but as if it were not of much consequence, “that I’ve known all about it these three days.”
“About Lord Warburton’s state of mind?”
“About his intentions, as they say here. He wrote me a very pleasant letter, telling me all about them. Should you like to see his letter?” the old man obligingly asked.
“Thank you; I don’t think I care about that. But I’m glad he wrote to you; it was right that he should, and he would be certain to do what was right.”
“Ah well, I guess you do like him!” Mr. Touchett declared. “You needn’t pretend you don’t.”
“I like him extremely; I’m very free to admit that. But I don’t wish to marry any one just now.”
“You think some one may come along whom you may like better. Well, that’s very likely,” said Mr. Touchett, who appeared to wish to show his kindness to the girl by easing off her decision, as it were, and finding cheerful reasons for it.
“I don’t care if I don’t meet any one else. I like Lord Warburton quite well enough.” she fell into that appearance of a sudden change of point of view with which she sometimes startled and even displeased her interlocutors.
Her uncle, however, seemed proof against either of these impressions. “He’s a very fine man,” he resumed in a tone which might have passed for that of encouragement. “His letter was one of the pleasantest I’ve received for some weeks. I suppose one of the reasons I liked it was that it was all about you; that is all except the part that was about himself. I suppose he told you all that.”
“He would have told me everything I wished to ask him,” Isabel said.
“But you didn’t feel curious?”
“My curiosity would have been idle—once I had determined to decline his offer.”
“You didn’t find it sufficiently attractive?” Mr. Touchett enquired.
She was silent a little. “I suppose it was that,” she presently admitted. “But I don’t know why.”
“Fortunately ladies are not obliged to give reasons,” said her uncle. “There’s a great deal that’s attractive about such an idea; but I don’t see why the English should want to entice us away from our native land. I know that we try to attract them over there, but that’s because our population is insufficient. Here, you know, they’re rather crowded. However, I presume there’s room for charming young ladies everywhere.”
“There seems to have been room here for you,” said Isabel, whose eyes had been wandering over the large pleasure-spaces of the park.
Mr. Touchett gave a shrewd, conscious smile. “There’s room everywhere, my dear, if you’ll pay for it. I sometimes think I’ve paid too much for this. Perhaps you also might have to pay too much.”
“Perhaps I might,” the girl replied.

Henry James, The Portrait of a Lady, 13

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 “That reason that I wouldn’t tell you—I’ll tell it you after all. It’s that I can’t escape my fate.”
“Your fate?”
“I should try to escape it if I were to marry you.”
“I don’t understand. Why should not that be your fate as well as anything else?”
“Because it’s not,” said Isabel femininely. “I know it’s not. It’s not my fate to give up—I know it can’t be.”
Poor Lord Warburton stared, an interrogative point in either eye. “Do you call marrying me giving up?”
“Not in the usual sense. It’s getting—getting—getting a great deal. But it’s giving up other chances.”
“Other chances for what?”
“I don’t mean chances to marry,” said Isabel, her colour quickly coming back to her. And then she stopped, looking down with a deep frown, as if it were hopeless to attempt to make her meaning clear.
“I don’t think it presumptuous in me to suggest that you’ll gain more than you’ll lose,” her companion observed.
“I can’t escape unhappiness,” said Isabel. “In marrying you I shall be trying to.”
“I don’t know whether you’d try to, but you certainly would: that I must in candour admit!” he exclaimed with an anxious laugh.
“I mustn’t—I can’t!” cried the girl.
“Well, if you’re bent on being miserable I don’t see why you should make me so. Whatever charms a life of misery may have for you, it has none for me.”
“I’m not bent on a life of misery,” said Isabel. “I’ve always been intensely determined to be happy, and I’ve often believed I should be. I’ve told people that; you can ask them. But it comes over me every now and then that I can never be happy in any extraordinary way; not by turning away, by separating myself.”
“By separating yourself from what?”
“From life. From the usual chances and dangers, from what most people know and suffer.”

Henry James, The Portrait of a Lady, 14

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