new (30) | heroine.love

  1. Yes. All men must die. But we are not men | Emilia Clarke: Daenerys Targaryen, Nathalie Emmanuel: Missandei | Game of Thrones

    Yes. All men must die. But we are not men | Emilia Clarke: Daenerys Targaryen, Nathalie Emmanuel: Missandei | Game of Thrones

  2. I wasn’t playing and I don’t want to be a lady | Maisie Williams: Arya Stark, Game of Thrones

    I wasn’t playing and I don’t want to be a lady | Maisie Williams: Arya Stark, Game of Thrones

  3. She’s so layered, endlessly. Every time you think you know her, there’s another depth of insecurity or fury or resentment or drive or grief | Lena Headey: Cersei Lannister, Game of Thrones

    She’s so layered, endlessly. Every time you think you know her, there’s another depth of insecurity or fury or resentment or drive or grief | Lena Headey: Cersei Lannister, Game of Thrones

  4. Nietzsche : Où sont ceux qui comme Brünnhilde, sacrifient leur science à leur amour et finissent pourtant par puiser dans leur vie la science suprême ?

    Nietzsche : Où sont ceux qui comme Brünnhilde, sacrifient leur science à leur amour et finissent pourtant par puiser dans leur vie la science suprême ?

  5. Alicia Vikander as a ballerina. Ex Machina. That role involves quite a complicated physical performance where you are playing a machine, but you don’t want to telegraph that you are a machine

    Alicia Vikander as a ballerina. Ex Machina. That role involves quite a complicated physical performance where you are playing a machine, but you don’t want to telegraph that you are a machine

  6. Natalie Portman: a woman who was maybe known first for being a wife, but then became someone who could be recognized on-on their own merits, just... just as Jackie

    Natalie Portman: a woman who was maybe known first for being a wife, but then became someone who could be recognized on-on their own merits, just... just as Jackie

  7. le théâtre fou et solitaire de l’imagination amoureuse | Todd Haynes, Roland Barthes, Carol

    le théâtre fou et solitaire de l’imagination amoureuse | Todd Haynes, Roland Barthes, Carol

  8. so she went on to the nature of reality, which led her to truth, which in its turn led to Love, Friendship, Poetry | Pippa Nixon reads 'Orlando' by Virginia Woolf

    so she went on to the nature of reality, which led her to truth, which in its turn led to Love, Friendship, Poetry | Pippa Nixon reads 'Orlando' by Virginia Woolf

  9. Winterbourne was almost grateful for having found the formula that applied to Miss Daisy Miller | Ellie Kendrick reads 'Daisy Miller' by Henry James

    Winterbourne was almost grateful for having found the formula that applied to Miss Daisy Miller | Ellie Kendrick reads 'Daisy Miller' by Henry James

  10. The world was different — whether for worse or for better — from her rudimentary readings, and it gave her the feeling of a wasted past

  11. le Désir incarné d'Albertine qu'Andrée était pour moi | la matérialisation devant moi de ce qu'elle portait dans sa rêverie amoureuse

    le Désir incarné d'Albertine qu'Andrée était pour moi | la matérialisation devant moi de ce qu'elle portait dans sa rêverie amoureuse

  12. I have left her en l'air | Henry James, Isabel Archer, The Portrait of a Lady

    I have left her en l'air | Henry James, Isabel Archer, The Portrait of a Lady

  13. Jane Campion : l'excitation de découvrir la vérité des choses et des êtres, et le désir d'être aimée. Deux compagnons difficiles à concilier

    Jane Campion : l'excitation de découvrir la vérité des choses et des êtres, et le désir d'être aimée. Deux compagnons difficiles à concilier

  14. Ksenia Ovsyanick & Nancy Osbaldeston | Libra | George Williamson

    Ksenia Ovsyanick & Nancy Osbaldeston | Libra | George Williamson

  15. Henry James: my young woman’s extraordinary meditative vigil | the best thing in the book: CHAPTER XLII | The Portrait of a Lady

    Henry James: my young woman’s extraordinary meditative vigil | the best thing in the book: CHAPTER XLII | The Portrait of a Lady

  16. Her mask had dropped for an instant | Henry James, The Portrait of a Lady

  17. Henry James, Isabel Archer, Gilbert Osmond: his hatred of her when he finds that she judges him, that she morally protests at so much that surrounds her

    Henry James, Isabel Archer, Gilbert Osmond: his hatred of her when he finds that she judges him, that she morally protests at so much that surrounds her

  18. the young and prideful Aglaya Yepanchin, and the fallen, tragic Nastassya Filippovna | the romantic and innocent side, with the insolent and daring side

    the young and prideful Aglaya Yepanchin, and the fallen, tragic Nastassya Filippovna | the romantic and innocent side, with the insolent and daring side

  19. Henry James, Jeanne de Vionnet: She had been free, as she knew freedom

  20. C'est le film qui, en naissant, donne vie aux personnages, et non les personnages qui donnent vie au film | Robert Bresson

    C'est le film qui, en naissant, donne vie aux personnages, et non les personnages qui donnent vie au film | Robert Bresson

  21. There were times when Kate wondered if the Miss Condrips were offered her by fate as a warning for her own future | Henry James, The Wings of the Dove

  22. You always saw, in this case, something else than what you were | Henry James, The Wings of the Dove